Candace Owens Hates Erika Kirk and Jews for the Exact Same Reason
An analytical look into how a deep rooted inferiority complex masks itself as a search for truth and why the worlds most famous conservative provocateur is actually fighting a war against her own insecurities

There is a direct and undeniable link between the recent rhetoric of Candace Owens regarding the Jewish people and her public hate toward Erika Kirk.
Just as Owens feels thereatned by the menacing shadow of the foundational father religion of monotheism, she also feels the same angst when knowing she must compete or share the spotlight with the woman who inherited the largest and most powerful conservative political umbrella in America.
For Owens the Jews (as a foundational religion), and TPUSA, (as a leading political organization) pose a threat to her emotional/mental well being which has become increasingly dependent on validating her own grandiose ideas of herself stemming from evident narcissistic traits - that have been successfully projected (in today's media climate) as "Investigative justice", but that are in fact composed of lightheaded Wine-Mom level soap opera mysteries.
With both "The Jews", and Erika Kirk, we are witnessing an inferiority/insecurity complex that under the circumstance of a naturally reduced mental capacity, has mutated into an attempt to create "truth" that is meant to mask the need for dominance.
For Owens this sublimation of inferiority into superiority via "truth", is aimed at dethroning the menacing white-female sister archetype, and the Jewish paternal archetype.
It is pursued via a need to tackle three specific constructs that threaten her own selfhood as a visibly Black female speaker in the public eye.
The Religious Threat: As a recent convert to Catholicism she views Judaism as the original and imposing challenge to her new religious standing. The complexity of this becomes clearer when realizing she owes her entire career to a couple of Orthodox Jews who mainstreamed her.
The Aesthetic Threat: Candace still views the white woman as the traditional ideal of beauty, etiquette, and femininity.
The Political Threat: Having moved from the political Left to the Right, her need to constantly dismantle and humiliate those she deems to be her foes, does not stem from a will to save the conservative movement, but as with lefties as a whole as a tool to protect and efficiently maneuver position and status.
Thus, Owens attempts to sell her grievances to the public as a grand conspiracy of subversion which she is able somehow to outsmart, and subvert the subverters, as if it is all also done as some part of a noble quest for justice and truth.
In reality this is a calculated war fought for the sake of a threatened self of a single individual. Seeking to unravel and expose her mythical rivals.
Just as conservative white women threaten her selfhood so does Judaism threatens her religious and historic standing.
As the Jewish Sages taught in the Ethics of the Fathers, "Envy and Lust and the Pursuit of Honor detach a person from the world".
Owens is not highly literate or educated. And she is unlikely to ever become so.
But she is very capable in taking her limited brain capacity and turning it into a vehicle of monetary profit via an entertaining quest all the while hiding the origin of what is driving this very quest. And this, is her grand achievement which she should be appreciated for.
She will always struggle to engage with the actual substance of the traditions or ideas she critiques. Ultimately her detachment from physical reality will turn her into a niche and will lead to a professional decline. But this will take time.