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Television review

"Eretz Nehederet" returns — jokes fall flat

The satirical sketch show is back for Israel's 2026 election campaign, but critics say recycled characters and forced punchlines have replaced the sharp writing that once made it unmissable

Eyal Kitzis in the "Eretz Nehederet" studio

The opening sketch of the second episode in the new season of "Eretz Nehederet", back in prime time for Israel's 2026 election campaign and the show's 24th season overall, presented a "highlights reel" of the outgoing Netanyahu government. Its leading figures sit in a white vehicle with a trailer that deliberately evokes the trucks used by Nukhba terrorists on October 7, while a new version of the upbeat song "Yamim Tovim" ("Good Days") by Avihu Pinchasov's band plays in the background.

The clip is anything but cheerful. It shows images of homes burned in the October 7 disaster, reserve-duty fathers described as no longer remembering what their children look like, transportation in shambles, the economy in shambles, education in shambles, internal security in shambles, all delivered with smiles and a party atmosphere that the government's leaders hope will continue past election day. The opening makes clear that the "Eretz Nehederet" writers are deeply worried about that possibility, and so they did everything they could to paint a reality even darker than the permanent stain on the forehead of Mariano Idelman, who has been stuck for years in the role of Prime Minister Benjamin Netanyahu and no longer resembles the original.

The first studio sketch dragged on far too long, led by Eran Zarachovitz as "Yinon Magal" and Yaniv Biton as "Dr. Avishai Ben Haim" of the "second Eretz Nehederet."

Zarachovitz's impersonation of Magal is so forced that it shows every time the camera is on him. In Magal's case, the big question is why an impersonation is even needed — the show's producers should just pay up and bring in the original. Everyone knows that Magal himself is hysterically funny and far more entertaining than someone imitating him under heavy makeup to look like him, recycling unfunny shtick every two minutes. If the impersonation said and did things Magal himself wouldn't dare, it would be worth watching. But in this case, reality is funnier than any imagination, and the real-life absurdity is far more interesting.

Yaniv Biton, in a precise impersonation of Dr. Avishai Ben Haim with a script that is essentially a basis for continuous improvisation, also fails to bring down the house, neither the studio audience nor viewers at home. There was one opportunity for excellent satire when Kitzis asked "Ben Haim" how he sits on Channel 14, which vilifies Mizrahim, and the latter responded with sophisticated philosophy that they are actually controlled by "the Ashkenazi hegemony" so they're not real Moroccans. A weak impersonation of a strong character that doesn't give a meaningful "fight" to the real Magal with his ethnic shtick.

Later in the segment, the worn-out impersonations of Mariano "Bibi" Netanyahu also joined, exhausting as always, pulling out a new gimmick each time, this time a photo of "the father of Sali," meaning "the Baba Sali," with the tired joke that Netanyahu is also "Mizrahi," and Yuval Semo's Gadi Eisenkot, who for some reason seems to suffer from the impersonation, unlike his genuine enjoyment when imitating Miri Regev against a foreign backdrop. In Eisenkot's case, Semo deliberately drains all the vitality and energy from him.

As usual, Eli Finish saved the day with improvisation talent unmatched by anyone in the "Eretz Nehederet" cast. He returned enthusiastically to the character of Dudi Amsalem, who had been hidden in the Likud campaign, emerging from an ice cream box with a forward somersault and an impressive fall onto the studio floor that squeezed laughs from the audience and cast even before Finish uttered a single word.

This may be "Eretz's" biggest problem in recent seasons: the writing. In the past, the writers invested thought, and it showed. Today every punchline is forced or contrived, and most of the show isn't funny at all.

The bright spot in the episode was the anticipated "More Headlines" segment, where the "Eretz" team's collection of funny video clips gives Kitzis the stage to freely go after everyone without exception, including Channel 12 itself, but you can find that in abundance on social media without waiting through an entire show for three funny minutes.

There was also a parody of "Come Eat With Me" in which Sharon Taycher as Lieberman stood out (though there's still longing for Assi Cohen, who was the best at this impersonation), and again Finish shone as Yair Lapid, even if he's hidden in the real campaign, the impersonation manages to rise above the original.

Tom Yaar as Boy George
Tom Yaar as Boy George (Photo: Keshet publicity)

Anyone who made it to the end of the show without switching mid-way to a good movie was rewarded with a mediocre-at-best impersonation by Tom Yaar of Boy George, and a recycling from the previous episode by Yosef Finish Hadad, who simply repeats the same punchlines for the benefit of those who missed the season premiere last week.

Before the show ended, we got another street poll with recycled characters giving unfunny, disturbed answers to pointless questions from the hidden reporter Sharon Taycher's microphone and this really is screaming lack of investment, because it's been done before in plenty of shows, and anyone who wants to see how to do it well should watch old episodes of "Layla Gov - with Gidi Gov" on YouTube under the title "Street Poll."

Bottom line: "Eretz Nehederet" continues not to invest in its viewers, and at this rate they may not choose it again for season 25.

"Eretz Nehederet" airs Tuesdays at 21:30 on Channel 12, and during Channel 12 News's main election broadcast.

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